Подобная стилистика уличного искусства очень благодатно влияет на общественные пространства. Орнамент не раздражает грязью и непонятностью (чем страдает классическое граффити в глазах консервативных обывателей). В то же время, к орнаменту очень быстро привыкает глаз и перестает его замечать, что является знаком комфорта. Даже если здесь нет никакой глубокой социальной идеи, такие рисунки могут стать хорошим катализатором дружбы между нелегальными художниками, властями и гражданами.
/
Aaron De La Cruz is one of those few street art adherents who work with ornaments. Walls, booths, pieces of carton, bikes - everything that Aaron's brush touches becomes covered with interlacing repeating patterns. It's pretty hard to define the look of the ornament. Works contain ethnic traces of many different cultures. For Aaron it's an opportunity to combine graffiti, design and illustration. Despite the fact that Aaron himself describes his works as minimalistic and easy-brathing, his patterns bring up an association with some sort of complicated language, which is either forgotten or not recognized yet.
Such style of street art makes a very good influence on social spaces. Unlike the graffiti (in the eyes of conservative averages), ornaments don't annoy the eyesight. Eyes adapt rather quickly to the view of an ornament, and it's also a sign of comfort. Even if there's no deep social ideas, such street decorations can become a good catalyst of friendship between illegal artists, authorities and citizens.
Such style of street art makes a very good influence on social spaces. Unlike the graffiti (in the eyes of conservative averages), ornaments don't annoy the eyesight. Eyes adapt rather quickly to the view of an ornament, and it's also a sign of comfort. Even if there's no deep social ideas, such street decorations can become a good catalyst of friendship between illegal artists, authorities and citizens.
